Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
£15GBP or more
Record/Vinyl + Digital Album
"Frakkur was the artist name jónsi used for his experiments in electronic music. working on his own, either at home in reykjavík, in hotel rooms on tour with sigur rós, or later at his boyfriend’s house in boston, jónsi spent endless hours diving into then-new bits of kit and programming, having fun and seeing how far he could push things.
the legacy is three collections of work totalling 25 tracks collated into one triple album - each made a year or so apart, under slightly different circumstances and with different equipment.
The oldest, 2000-2001, was made on jónsi’s first pc laptop, named the tank for its unwieldy size. the second, 2002-2003, was made in his small flat in the middle of reykjavík, where he set up his first home studio in a cupboard, so that it could be packed away at night. the final part of the frakkur trilogy, 2003-2004, was made in cambridge, mass. in breaks of sigur rós touring. his partner, alex somers, had by then introduced jónsi to the programme logic, and this he coupled with a yamaha vss-30 toy keyboard to sample his"
Includes unlimited streaming of 2000 - 2004
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Frakkur was the artist name Jónsi used to define his experiments in electronic music in the early years of the 21st century. Working on his own, either at home in Reykjavík, in hotel rooms on tour with Sigur Rós, or later at his boyfriend’s house in Boston, Jónsi spent endless hours diving into then-new bits of kit and programming.
The oldest, 2000-2001, was made on Jónsi’s first PC laptop, named The Tank for its unwieldy size. A record of unrequited love for a straight boy at home in Reykjavík, SFTLB was Jónsi way of dealing with heartbreak via sampling kalimbas and music boxes and channelling it all through the Fruity Loops program.
The second, 2002-2003, was made in his small flat in the middle of Reykjavík, where he set up his first home studio in a cupboard, so that it could be packed away at night. He had a Yamaha RS-7000 with 32mb memory in the top drawer, which he called the Grey Machine and used to sample the beat-up toys he’d collect from local goodwill stores. Jónsi recalls it as a time "filled with blinding sunlight and pure fun creative energy”.
The final part of the Frakkur trilogy, 2003-2004, was made in Cambridge, Mass. in breaks of Sigur Rós touring. His partner, Alex Somers, had by then introduced Jónsi to the programme Logic, and this he coupled with a Yamaha VSS-30 toy keyboard to sample his voice in what he describes as a spontaneous and exciting process.
For many years the music represented on this Frakkur collection was thought lost, since Jónsi's unbacked-up hard-drive eventually corrupted. However, Alex had shared burned CDRs of the music with some of his close friends around Boston, and one of these came to light around a decade later, thus saving the project from oblivion.
The songs on Frakkur 2000-2004 have been mastered for the first time for this release, with some of the glitches and drop-outs that bedevilled peer-to-peer shares now eradicated.
Odin’s Raven Magic est un album surprenant – pas tant que ça quand on connaît un peu Sigur Rós. Son côté liturgique est parfois minimaliste, mais l’ensemble recrée une ambiance de fin des temps qui enfonce tous les black-metaleux du monde. (Chroniqué sur https://alias.erdorin.org) Stéphane Gallay